Picture Restorers Scotland. Nick and Lucy Wright are experts in the field of conservation and repair of oil paintings. They operate from a studio in Dumfries ;& Galloway.
Picture Restorers Scotland. Nick and Lucy Wright are experts in the field of conservation and repair of oil paintings. They operate from a studio in Dumfries ;& Galloway.
Welcome to my paintings conservation portfolio website. The portfolio consists of select treatments I have recently completed. The treatments included were chosen to demonstrate a range of types of treatments on a wide variety paintings. Some of the tr
Welcome to my paintings conservation portfolio website. The portfolio consists of select treatments I have recently completed. The treatments included were chosen to demonstrate a range of types of treatments on a wide variety paintings. Some of the tr
Ocean Art Alliance – an online art store where conservation minded artists sell beautiful artwork, paintings, limited edition prints and DVDs with a portion of proceeds going to marine education projects. The Great Barrier Reef, Ningaloo Reef, the Coral
Alexandra Walker has been an established paintings conservator-restorer in central London since 1981. In 1986 the practice moved to its present spacious, purpose-built and fully-equipped studio in Westminster, London UK, ten minutes from the West End and
Gamblin Conservation Colors offer conservators and restorers a wide array of colors that are stable, reversible and suitable for use with most painting styles and techniques.
Loro Fine Art, art restoration and art appraisal of fine paintings, historical documents and artifacts with unsurpassed craftsmanship and artistic ability. Located in Houston Texas.
Katherine Ara has built an extensive international client base which includes collectors, auction houses, and leading dealers. She has worked on paintings by Holbein, Clouet, Rembrandt and Titian in addition to modern masters such as Picasso, Leger and Br
I have worked as a conservator and restorer from my Kensington studio for the last thirty years. Having read Art History at the University of East Anglia I trained from 1977-1982 in the traditional manner of the apprentice with Clifford Ellison and with D